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With the release of Kontakt 2, Native Instruments has raised the bar for software samplers. Features such as automatic translation for a large and growing assortment of sampler formats, a built-in MIDI Script Processor, an impressive collection of effects (including a flexible convolution reverb), a 15 GB instrument library with usable content, and numerous enhancements to the user interface make Kontakt 2 a whole new beast (see the May 2003 issue for a review of Kontakt 1.1). Kontakt 2 arrives in a box containing three discs and a printed manual. The installation disc is a CD, which allows you to install it even if your computer lacks a DVD drive.
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The Kontakt library fills two DVDs: one holds the 7.5 GB Kontakt edition of the Vienna Symphonic Library, and the other holds the remainder of the library. Kontakt 2 comes in standalone and plug-in versions for Mac OS X and Windows XP. VST, Audio Units, MAS, and RTAS plug-in formats are supported on the Mac, and VST, DXi, and RTAS formats are supported on the PC.
The main section of the rack holds Kontakt instruments. Instruments can be freely spread over four rack pages, with each page capable of holding 16 instruments. Each instrument can be assigned its own MIDI port and channel, and Kontakt 2 supports simultaneous input from four MIDI ports. That allows for 64-part multitimbral operation with a fully loaded rack, although that would push the limits of almost any computer. (A convenient Purge function makes it possible to winnow out all but those samples used in a project, thus greatly reducing the memory required for a multitimbral setup.) Collections of instruments can be saved as a single multitimbral object called a Multi.
A Multi contains all instruments on all pages of the rack, and the rack can therefore hold only one Multi. It would be nice to be able to combine Multis by dragging several to the rack, but I imagine that could raise more problems than it would be worth. 1: In addition to instruments and Banks, Kontakt's rack now features an output mixer, an interactive keyboard, a Multi Header panel, and a Master Tempo section for global tempo, tuning, and metronome settings. Bank on It Kontakt 2 introduces a new rack object called a Bank. Banks work just like preset banks in synthesizers, and their primary purpose is to allow different instruments to be called up instantly using MIDI Program Change messages.
Beyond that, Banks, with their onscreen menu for selecting individual instruments, are handy for organizing instrument sets. Furthermore, any instrument in the Bank can be opened for editing. The only downside to opening a Bank is that all samples used in all instruments in the Bank will be loaded into memory, which is necessary for smooth instrument switching.
For direct-from-disk (DFD) instruments, the memory hit is not that large. In addition to instruments and Banks, Kontakt's rack sports several new modules (see Fig. A Master Tempo panel allows for global tempo, metronome, and tuning settings. A Multi Header panel gives quick access to the rack's four pages and has buttons for collapsing, expanding, and displaying auxiliary sends for all modules. A user-configurable output mixer provides multichannel mixing (including full surround support) and send-effects management. Finally, an interactive onscreen keyboard displays the note range and the currently held notes for the selected instrument.
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You can trigger notes by clicking on the keyboard with the mouse. Instrument editing is now a rack mode — clicking on an instrument's Wrench icon opens the editor for that instrument and simultaneously hides the Multi Header panel and all other instruments.
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Although instrument editing still involves a good bit of unavoidable scrolling, you won't accidentally grab and adjust a control for the wrong instrument. Editorial License There's no getting around the fact that Kontakt's instrument architecture is complex, and that is reflected in the Instrument editor (see Fig. The action starts with the Source section, which does everything you ever wanted to do with samples, and then some.